Curator's note — what you will encounter inside
These sites are deliberately left as they were built, imperfections included.
Restoring them any further would mean destroying what they are: honest documents
of how the web looked and worked twenty-some years ago. So, before you go in:
- Nothing is responsive. These pages were laid out in fixed-width tables
for 800×600 CRT monitors, a decade before smartphones. On a phone they render
zoomed-out and small — pinch and zoom to read. That is not a bug; that is 2002.
- Some images are broken forever. A photo on the me & javier page
was never captured by the Wayback Machine and no other copy exists. One page of the
DTM site (euro1.htm) is lost the same way.
- Some things were broken on day one. The mummy & daddy photo
has pointed at
C:\My Documents\ since 2002 — FrontPage kept my local disk
path when publishing. A page on the DTM site does the same with drive H:.
Preserved with affection.
- Most outbound links are dead. The guestbook service, the counters, the
partner sites of 2001–2006 — nearly all gone. The links stay, pointing at ghosts;
paste them into web.archive.org if you're curious.
- Internet Explorer assumptions. One site politely informs you it is
“best viewed in Microsoft Internet Explorer,” and FrontPage hover animations
silently do nothing in your modern browser.
- The blog-era exhibits are preemptive rescues. Their Blogger originals
are still alive — these self-contained copies exist so the museum doesn't depend
on Google's mercy. A few pictures in them were already lost by Blogger itself
while the blogs were live; those stay broken here too.
- One exhibit is a found object. Cinderellas Fotoalbum surfaced
in 2026 under the curator's own GeoCities account — its note says it was made
by “one of my many admirers,” and the admirer, evidently the curator, does not
remember making it. Its photos were never archived; the empty frame is all
that remains.
What was repaired, sparingly: the free hosts' injected ad scripts were removed,
the text was transcoded to UTF-8 so Turkish renders on modern hosting, and the dead
hit counter and news-headline widget were rebuilt to work again. Every intervention is
documented, commit by commit, in the
repository —
the untouched originals live in its history, and the whole recovery is narrated in
the restoration lab.